by the hearth
This section of my blog is devoted to things of interest to my Pagan readers. My books are primarily intense adventure stories but they do often contain some serious themes, including issues relevant to the growing Pagan community. My primary spiritual focus is as a mother with small children, so you may find me digressing a lot into things relevant for Pagan parenting.
This blog is devoted to things of interest to Pagan readers. Also take a look at my contemporary fantasy series written from a Pagan world view.
This Imbolc, after thirteen years of searching and a year and a day of study and devotion to Brigid, I have chosen my specific path and made my dedication. This has come at a time of great injustice in the world. Brigid is in her warrior guise and rides to protect outsiders, refugees and children. Healers are needed. Poets and writers are needed. Warriors for justice are needed. I do not know all the twists and turns of the path ahead but I have faith in her guidance.
My eight-year-old daughter is not normally very excited about crafts and she tends to be impatient, so I was amazed and delighted by our success with this craft.
We made Brigid dolls today--two of them because she decided to set up her own altar and wanted to make her own doll all by her self. The craft held her interest for several hours and came out really beautiful.
1. We took a square of white cloth and put a solid ball of cotton in the middle of it. You can use anything from crumpled paper to cloth scraps to a Styrofoam craft ball. You can also use a white paper handkerchief in place of a white cloth for a quick but less durable doll.
2. We then gathered the corners of the cloth and tied a red or gold string under the ball to form a kind of neck. We cut slits every few inches in the cloth, almost up to but not quite reaching the neck.
3. Then we rolled up another smaller rectangle of cloth and tied it at the ends to form arms. This we inserted under the neck through the slits, so that the arms protrude on both sides. (I also inserted a little extra cloth in min for breasts but my daughter didn't. You can see the difference in the photos below.
4. Then we inserted some dried lavender stalks from the bottom in place of legs. This makes the doll smell wonderful. You can substitute many different herbs or stalks of grain. Really anything symbolizing your last-year's harvest is symbolically appropriate.
5. We tied a second string around the middle under the arms, This serves as a waist and holds the herb stalks in place.
6. Now it was time to decorate the doll. First we put on hair. We loosely sewed embroidery floss into the head, letting each stitch dangle for several inches. This was by far the most difficult and time-consuming part of the craft and it could be avoided by coloring or gluing on wool, fabric or feathers in place of hair. But we loved the look of the embroidery floss.
7. We then tied and stitched a scarf or hair band on over the hair. This can also be done with hot glue.
8. Next we put on faces. My daughter chose to color hers on with markers and I embroidered mine on, although I am no expert at embroidery. Both turned out fine.
9. I added a lace apron to match the scarf, because I had a bit of extra curtain lace hanging around. Both can be made with any white cloth or even a white paper handkerchief.
10. Finally we used another red string to tie a few lavender sprigs into the hands so that they formed a welcoming circle in front of the doll.
All ties were made with either red or gold strings. A Brigid doll should generally be white with red, gold and possibly purple highlights. This is the doll we will use in our Imbolc ritual. We will place the dolls in baskets by the hearth to sleep through the night before Imbolc. Then the children will come and light candles and symbolically wake up Brigid to bring in the spring in the morning. It is their favorite part of the Imbolc holiday.
I'm so happy to finally share the making of the doll with my daughter too.
By the way, this is the same craft used in the children's adventure story around Imbolc called Shanna and the Raven. Although in the book the craft is done with natural sticks or stalks of herbs for the arms as well. There is also a delicious recipe for white and red strawberry dumplings in the book. It's a story about how a couple of modern goddess-orriented kids celebrate the holiday and learn to use intuition for their own protection.
I hope you will all have peace and inspiration this holiday. Blessings of creativity and warm hearths to all!
The Cold Moon is cold indeed in Central Europe and the British Isles. It is almost never snowy but it is bone-chilling and often bleak. The sun shrinks down to the southern horizon, so that even at noon it shines crosswise across the land, throwing huge stark shadows, if it is visible at all. Mostly it isn't though and the sky and land are gray in the fallow time.
It is at this moon that Celtic myths tell of imprisonment, ordeals, fierce storms and transformation. And yet it is also the time of rekindled hope, the sun almost disappearing and then returning, miraculously at last.
I have chosen to celebrate the Celtic goddesses for this moon. They are sometimes harsh in aspect but also embody the promise of solace and hope that the winter solstice brings. The Maiden for this moon is Aine, both a sun and moon goddess often recognized near the solstices; the Mother is Rhiannon of strength and steadfast courage in the face of unjust punishment; and the Dark Goddess is Cerridwen with her cauldron of change for the turning of the new calendar year.
Creative Commons Image by Barry of Flickr
Aine is an Irish goddess of the land connected to both sun and moon. Her connection to the land means that she has the power to make a man king.
While she has many consorts, such a relationship must be on her terms. Several times in myth, she is forced to be with a man who desires power—raped by a king and captured by another man while sitting on the shores of a lake. But she escapes and takes her revenge, denying sovereignty to those who abuse her or the land.
Aine is bright and fertile, a high lady of healers and a protector of women, particularly women who have been abused. Today many rituals call on Aine to comfort and aid the victims of abuse or to bring justice to their abusers. (Burdette 2014) We can connect with Aine for rituals of healing (including healing for specific parts of the land), protection and calling on the sun for light and the powers of creativity. Her symbols are geese, the sun, the moon and apples. Use fir or apple scents.
Rhiannon was falsely accused of a terrible crime. She endured with dignity both the grief of a lost child and the great hardship of unjust punishment and humiliation. In times of injustice, hardship, misfortune or illness and when the sorrow of infertility spreads its shadow, we need Rhiannon’s courage and steadfastness along with the hope of eventual justice.
Creative Commons image by Lailantie Core
Still, there is no promise that we will be given all of our desires. Rhiannon suffered and was not actually granted a reward in compensation. Instead the hardship itself gifted her with even greater inner strength than she had possessed before. Her sorrow ended at last when her child was returned to her. She didn’t get revenge. Instead she continued to be a mother to the people. She was the one who was stronger and thus the one who could endure. Her symbols are horses and three magical birds who can both raise the dead and put the living to sleep. (Skye 2007)
You can connect to Rhiannon by doing horse-related crafts or putting up horse decorations. Put this quote of a Druid triad on your altar: “There are three spiritual instructors: worldly misfortune, bodily illness, and unmerited hatred.” Add a picture of Rhiannon and three bird figures or three candles (if possible decorated with birds or shaped like birds).
Also, do a Tarot reading or allow children to choose a Tarot card that they like and discuss the meanings and lessons of the cards. Tell the story of Rhiannon. Put out bird seed or homemade bird feeders for the birds who accompany Rhiannon. In today’s world unmerited hatred often comes in the form of racism, sexism, homophobia or ablism. Listen to the music of inclusion and anti-prejudice movements. Use the wood of oak and the greenery of holly at this time.
Cerridwen's Cauldron - Creative Commons image by Aida Di Leto Lundquist
Cerridwen is the keeper of the cauldron of spiritual transformation. She is considered a dark goddess primarily because transformation of this magnitude usually hurts. She also governs death, rebirth, prophesy, magic and divine inspiration. She gives moral counsel and magical potions of deep wisdom. (Auset 2009)
The moment of standing in a free natural place in starlight is hers—that yearning after mystery which is always just beyond our grasp. Her symbols are a cauldron, a white sow or an old woman in starlight. You can connect to her through rituals of transformation, divination and magic. Burn rosemary and cedar incense. Greenery of ivy or pine is appropriate.
Auset, B. (2009). The Goddess Guide: Exploring the Attributes and Correspondences of the Divine Feminine. Woodbury, MN: Llewellyn Publications.
Burdette, A. (2014). Aine. In Greenfield, T. (Ed.), Naming the Goddess (pp. 90-92). Washington, DC: Moon Books.
Caputi, J. (2004). Goddesses and Monsters. Madison, WI: University of Wisconsin Press.
Hunt, L. (2001). An Illustrated Meditation Guide: Celestial Goddesses. St. Paul, MN: Llewellyn Publications.
Jordan, M. (2004). Dictionary of Gods and Goddesses. New York, NY: Facts On File, Inc.
Koch, J. T., Ed. (2006). Celtic Culture: A Historical Encyclopedia. Santa Barbara, CA: ABC-CLIO, Inc.
Leeming, D. and Page, J. (1994). Goddess: Myths of the Female Divine. New York, NY: Oxford University Press.
Littleton, C. S. Ed, (2005). Gods, Goddesses and Mythology, Volume 4. Tarrytown, NY: Marshall Cavendish Corporation.
Loar, J. (2008). Goddesses for Every Day. Navato, CA: New World Library.
Lurker, M. (1987). A Dictionary of Gods, Goddesses, Devils and Demons. New York, NY: Routledge and Kegan Paul Ltd.
McLeod, S. P. (1960). The Devine Feminine in Ancient Europe. Jefferson, NC: McFarland and Company, Inc. Publishers.
Monagham, P. (1997). The New Book of Goddesses and Heroines. Woodbury, MN: Llewellyn Publications.
Monagham, P. (1999). The Goddess Companion. Woodbury, MN. Llewellyn Publications.
Monagham, P. (2014). Encyclopedia of Goddesses and Heroines. Novato, CA: New World Library.
Motz, L. (1997). The Faces of the Goddess. New York, NY: Oxford University Press.
Reid-Bowen, P. (2007). Goddess As Nature. Burlington, VT: Ashgate Publishing Company.
Skye, M. (2007). Goddess Alive! Woodbury, MN, Llewellyn Publications.
Slocum, S. K. Ed. (1992). Popular Arthurian Traditions. Bowling Green, OH: Bowling Green State University Popular Press.
Sykes, E. (2002). Who’s Who in Non-Classical Mythology. New York, NY: Routledge.
Woodfield, S. (2014) Drawing Down the Sun: Rekindle the Magick of the Solar Goddesses. Woodbury, MN. Llewellyn Publications.
Here is a place of shelter. My readers are often the outsiders of the modern world in one way or another, whether you're earth-centered, social justice activists, urban homesteaders, people of diverse and mixed ethnic, religious and racial backgrounds, people with disabilities, people with non-standard gender and sexual orientation or just the people who didn't quite fit into the typical crowds in high school. That is why I have made this site to be a safe zone for outsiders, a place where you can speak freely and be respected. Most importantly a place were you just plain belong.
Just as all of nature grows, children grow and mature with each challenge they overcome. This Summer Solstice story. Shanna and the Goddess tells how a brother and sister stand up to a crisis and save the family garden.
The warriors of today's Beltane celebrations are water protectors and defenders of the earth. Here is a story to ignite passion. Shanna and the Water Fairy is the third book in the Children's Wheel of the Year series but also a stand-alone adventure story pf positive kid power.
Kids can handle bullying and stand up for their beliefs. Here is an Ostara story that empowers today's kids. Shanna and the Pentacle is the second book in the Children's Wheel of the Year series, which brings real adventures to earth-based holidays.
Adventure, intuition, courage and real magic! Shanna and the Raven is a gripping Imbolc story for kids ages six to twelve. None of that "teachy" stuff! This is fun and affirming for Pagan kids. It's also the first in a series of eight, the Children's Wheel of the Year.
Adult and Young Adult Urban Fantasy and Dystopia
Cross urban fantasy with contemporary dystopia and you get The Kyrennei Series. It’s the story of a young woman who doesn’t fit the mold, a band of international freedom fighters in the heart of America and half-forgotten legends coming to life. Constant emotional tension and living, breathing characters make this an unforgettable saga.
The facade of freedom is a thinly veiled lie. In present-day America, a power cult can usurp your will and turn you against your friends and family.
Once - more than a thousand years ago -there were people who were immune to Addin control of hearts and minds. Legends around the globe still speak of them - slight people with pointed ears, now relegated to fantasy stories. Their true name has been forgotten.
They were the Kyrennei.
A prophecy says they will one day return, but the Addin vow to exterminate them. The Meikans, the descendants of human allies of the Kyrennei, yet exist, though they live under a tyrannical treaty with the Addin that has bought their survival at the cost of centuries of silence. Now those who have kept faith with the ancient gods for a millennium stand at the cusp of a new era - the time of the Seed.
It begins in a large round valley in the mountains of northeastern Oregon. One day Aranka Miko is a small-town student. The next, she's a prisoner, a reviled mutant and not even considered human.
At the same time, a young doctor code-named Kenyen fights with a band of international outlaws in a clandestine war with impossible odds. His mission is to infiltrate the Addin labs in Idaho where those who carry the genetic code of the Kyrennei are being studied... and murdered.
Kenyen is barely keeping his cover, when Aranka turns up in his lab. She is not like the other young people imprisoned there. For one thing, she can see that he isn’t Addin. A careless word from her could destroy the resistance and doom Kenyen’s soul. But she could also bring unimagined hope.
Can one girl hold “the seed,” the first flicker of hope in a millennium? Can she even survive one more day in the labs?
The Soul and the Seed is the first book in The Kyrennei Series - a dystopian fantasy thriller of today's world. The second book is The Fear and the Solace.
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